Posts

Are paywalls a Copyright issue?

We should answer the question of whether a paywall is a copyright issue, before we dive into the question of the importance of this question for the debate around the Paracopyright provisions in Bill C-11. I am familiar with paywalls from the perspective of both a user and a provider of such services. I will offer two specific examples of paywalls to illustrate the issues. I have been a paid subscriber to The Hill Times since 2005. This is an example of a service that offers some access to anonymous browsers on the Internet, but offers advanced services (full access to search through considerable archives, access to all new articles, etc) only to paid subscribers. You use a simple username and password to log in to prove you are a subscribe. My current job is as a software author and system administrator for Canadiana.org . We offer anonymous access to some content, while other content is only available to paid subscribers. All the content is in the public domain, so copyright isn...

Spectrum from software/computing freedom to imprisonment

I had a heated conversation at GOSLING last evening about just how friendly to FLOSS or "good" that Google is compared to Apple.   I have personally disliked Apple and their products since the 1980's when I was first introduced to the Lisa and Mac, with the closest I ever came to Apple was having an Apple II clone in the mid 1980's.  This Apple II clone came with schematics in the manual, so a very different type of computer than the locked-down devices that people purchase from Apple today. This conversation is one where different people will have different opinions.  I've seen a lot of Mac's at Linux events over the years, from the same people who scream at Microsoft for their business practises.   I think it would be interesting to others for me to publish my own concept of the spectrum, even knowing there will be (sometimes quite strong) disagreement. A few select individuals and organisations, ordered from Freedom to imprisonment : Richard Stallman...

Will you explain why DRM is bad?

I was asked on twitter to explain why DRM is bad.  Given I have spent more than a decade talking about this topic, you would think there is a simple twitter-length answer: but there isn't. Whether you believe the acronym expands to Digital Rights Management, Digital Restrictions Management , or Dishonest Relationship Misinformation , it doesn't define a specific technology or technique.  The acronym is used to refer to non-controversial technologies such as databases describing content and eCommerce websites, to highly controversial things such as digital locks which lock out the owners of what is locked. We can't entirely avoid using confusing terms, as people will immediately say "Aren't you talking about DRM" when you want to speak about specific harmful activities.  It is very useful to be clear whenever the time is available. When some people are concerned about DRM they are concerned about the inability to loan electronic books, or to...

Character assassinations in Ontario election

Last evening I was invited on an episode of Dyscultured , which had a special theme. Anthony Marco , one of the founding co-hosts of the show, put his name into the race to run in Niagara West-Glanbrook for the NDP in the Ontario election. The Liberal party, or at least some misguided spokespersons, have decided that taking comments out of context to character assassinate political opponents is an appropriate campaign strategy. You can see the type of embarrassing crap coming out of the Liberal Party of Ontario on Newswire.ca: Liberals Call on NDP to Dump Candidate , The Full Anthony Marco Text - Which Part Does The NDP Believe Is Misrepresented? , and More from NDP's Anthony Marco - Ontarians are "lazy" . The comical aspect of this is that the "Which Part Does The NDP Believe Is Misrepresented" press release contains an exert that makes clear that Anthony did not say what the Liberal party is alleging he said. Unfortunately, there will be many people who...

Why it is important to engage on creators' rights discussions

Just over a week ago, the Globe and Mail published an article by Kate Taylor that had the sensationalist headline "It’s writers v. professors in the latest war of words" . I don't know if it was an editor that created the headline, but it is very misleading as the debate she wrote was more about the different views between different writers than about anyone else. The body of the article did suggest that, "The knowledge community is divided against itself". She wrote about successful Canadian-born science-fiction writer Cory Doctorow, and how he believes that the radical changes proposed to how communications technology is owned an controlled can not rationally be justified by copyright. As a fellow person with a technical background, he understand how this technology works better than most writers. When I explain the specific technology under debate I speak about how there are 4 classes of owners (not one), and two digital locks (not one). The 4 classes...

London Trip/Cory Doctorow/Pirate Cinema/Terrorism/Riots

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My wife and I went on a vacation to London, leaving Ottawa on July 18th, and returning August 1'st. While we did the traditional tourist things, this is not what has been stuck in my mind since. I was a Copyfighter in London, so of course I sent an email to Cory Doctorow to see if we could meet in person. We met on the 26'th at Shoreditch House , his club. Among other things he handed me a discussion draft of his latest young adult book: Pirate Cinema (Third manuscript printing from May 18, 2011). From the beginning there was a familiarity that I loved from when I read Someone Comes to Town, Someone Leaves Town . Someone was set in Toronto, and had fictional characters doing things which were part fiction, part science, that made the line between what was real, what could be real, and what was pure fantasy sometimes a bit of a blur. Pirate Cinema is set in London, surrounding many of the places I had been which made reading it feel like an extension of my vacation. It w...

#PAB2011

I attended my first PAB last weekend. Even though it is in Ottawa, I hadn't heard of it until the folks at DyscultureD started to mention it. My initial thought was to crash the party a bit to meet with them while they were in Ottawa, but after looking at the schedule I decided to sign up and attend everything. It also turns out in hindsight that people wouldn't have been happy if I had crashed. I'm not a PODcaster, and that is beyond the fact I think the term is too closely associated with my political opponents at Apple. This is an artist conference, and I'm not really an artist: I've been invited on Netcasts, I take pictures (moving and still), record audio, and I blog (really?), but I do it primarily as a form of political expression rather than artistic expression. I have attended a number of conferences in the last decade that were artist focused, and have learned quite a bit which is helpful in understanding how others see the area of policy and p...